here’s a toyota tv ad i was able to contribute to for an agency out of atlanta. any guesses?

ok go’s never been a creative venture to sit idle + follow protocol. their latest is everywhere but well worth the eyeballs. boo to emi for not catching on while they had the chance.

amazing stop motion taken to a new height here in grindin’. + catch the making of when you have time.

lastly, slow mo. doesn’t sound like canon’s on it in terms of the next 5D II release but i’ll take it as soon as it’s ready ’cause i can’t wait to do this:

+ this:

after a bit of thought + talk it’s official – we’re relocating full time back to my hometown of portland, or. couldn’t be happier. it’s been 14 years since i lived in oregon for any extended time but managed stints in japan, seattle + montana along the way so feel it’s a full circle kind of thing.

looking forward to being closer to clients, the coast, voodoo + the freaks. sad to see the office go as it’s been a great space but it’s up for the taking now.

large shout out to everyone around whitefish as the last decade+ has been unbelievable. couldn’t have done it without you. stay tuned for the thank you show later this spring.

it’s all laid out here by the well named heath brothers. the idea being you have to have indicators. who has low budgets despite what they say? who has the skills beyond the resume? who can produce the project despite the weather? to really make it work these days you have to be able to read all of this.

talking with my wife who works in medicine, she says it’s amazing what you can tell about how people take care of themselves simply by how they relate to time, ie, whether they’re on it or not. i’ve found it uncanny the other way around as well that when you’re sitting in a medical office or the hospital how they relate to customers by how well the plants are taken care of. i’m mean really, a dead plant + i’m supposed to trust you with my health!?!?

van halen + specifically david lee roth had the m+m’s. i’ve got a thing or two i’ll run by you next time we meet. you?

in a bold bit about the changing of the guard, there are at least three things that i see coming. actually one already has to some extent + i’ll bring up more then three but as i had another major prediction come to fruition this past week better put a hold on the doubt.

1. the three elements we have as for control as photographers + filmmakers have always been aperture, shutter speed + iso. can’t do much with the first two in most situations but i’ve always wondered what happens when we blow the roof off of iso limitations (this is the one i was saying was already on the table). to some extent it’s not really future but now. nikon + canon, among others, have especially has pushed up to what, 12,800 most recently with readings depending on how you measure over six figures. that’s not iso that’s some poor wall street salary. the crazy thing being it’s only bettering exponentially.

what i see this doing is really altering the way we collectively shoot in many environments. dark + you’ve got this thing with depth of field, now it’s doable. hate the blur? game over. i’m not saying this is happening overnight but i know i can’t wait to really use iso variations in my work. think about the days shooting film – how many of you actually used to use that funky film puller to extract a role midstream ’cause you were heading inside (or vice versa)? (that’s it below in case you never had the pleasure.)

2. the altering + increasing tech assistance working with imagery will forever change the way we compose as well as the final product. like something out of csi or whatever the latest tech oriented crime drama maybe here’s a very real, though not photo specific, example via wired. this idea of compressed sensing could vastly change the landscape of storage + battery life for us. if the industry starts to see, “instead of steadily improving compression algorithms …steadily improving decompression algorithms that reconstruct the original image more and more faithfully from the stored data”, well then, hell, the future has arrived.

i’ve also read about researchers + uber geeks playing with computer technology that could lead to variable focus done in post production. the two together make you wonder how long craft will be involved with visual media.

3. i claim no brain power on this this last one but picked it up somewhere along the way from a communciation among shooters on what the future holds some time ago. the actual opinion (if this is yours feel free to claim) was that images would be wirelessly transmitted (i’m down with that) via satellite (ok) directly to editors anywhere in the cubicle world (have to try this to believe).

that said, i do see the bottle neck of transmission + after the fact editing losing ground quickly to the efficiency of technology. while eye fi may be a good start, it’s just that – a start.

so give it some time + we’ll see if i need to head to vegas at some point down the road. you’ve got better predictions?

mega opportunity, great ideas, taking risks + spreading awesome from the great folks at holiday matinee.

I Swear To Good You Are God At This from Holiday Matinee on Vimeo.

just in from my good friend anna in germany. we were talking about old school point + shoots + she had this experience at a wedding recently;

funny that you mention point+shoots. my brother had a bunch laying around and the kids went crazy with them. at some point my darling niece came up to me and the following conversation took place:

zoe (5): anna, you need to exchange the card, or download the pictures, my card is full – i can’t push the button anymore
anna (31): there is no card in there – it’s film and it ran out because you took all the pictures
zoe: what’s film?
anna: mmh, it’s in there and you put the pictures on there when you push the button and then you develop it later
zoe: what’s developing?
anna: you drop it off somewhere and they make negatives for you
zoe: what are negatives?
anna: i think your dad should explain all of this to you
zoe: why can’t i see the picture in the back?
anna: because it’s not digital
zoe: why can’t we develop the pictures?
anna: we’d need a dark room and chemicals
zoe: what is a dark room – and what are chemicals?
anna: FLO!!! come over here!!!

what was even funnier was when zoe took a picture of the bride’s father with a disposable camera she said: “i am sorry, i can’t show you the pictures in the back, because you can’t see them with this camera. a long time ago all cameras were like this one.”

just gave it a workout. can’t tell you how many times it’s saved my hide (not to mention broken the truth to me). when was the last time you sat down + had a conversation with yours? you even know where it is?

one of the absolute grandest aspects, bar none, of working in independent visual media is the chance you may get a phone call at any time that could realistically change for the better your day, month or year. you just never know who’s out there watching your work, waiting for the right time to reach out. it’s truly inspiring to wake up every morning knowing that this could be it. + if it’s not that chosen day then you know you have to do everything in your power to keep ‘training’ + pushing for it to come.

+ if that’s not enough, the gold medal stories with shaun white, shani davis + lindsey vonn yesterday should really give you a bolt. luv seeing athletes going for broke + making it happen.

tying that in with imagery, platon has a great shot of shaun if i recall correctly + moreso, especially inspiring this week is his latest in the new yorker piece covering civil rights in the promise. tore a few out for the wall myself. brilliant processing on silver gelatin look he’s featuring in this piece. the skin tones make your wonder if he’s part of the film renaissance we’re seeing.

still up for more? kevin michael connolly is a photographer with a story to tell. just on the today show a few short months ago he’s got a traveling show about time on his skateboard called the rolling exhibition, a book called double take + a refreshing take on life with a camera.